"I don’t know why I’d ever want to get rid of that." "I can provide my customers peace of mind knowing there is always a human there to help if needed," Vogt said. "Well, my question would be, ‘Why?’" said Kyle Vogt, CEO of Cruise, a unit of General Motors (GM.N), when asked if he could see a point where remote human overseers should be removed from operations.
#HEADS WILL ROLL YOUTUBE SOFTWARE#
The central premise of autonomous vehicles - that computers and artificial intelligence will dramatically reduce accidents caused by human error - has driven much of the research and investment.īut there is a catch: Making robot cars that can drive more safely than people is immensely tough because self-driving software systems simply lack humans’ ability to predict and assess risk quickly, especially when encountering unexpected incidents or "edge cases."
#HEADS WILL ROLL YOUTUBE DRIVERS#
Shark, Murder By Death, Battles, The Holy Fire, Atreyu, The Hold Steady, Death From Above 1979, Every Time I Die, Wolf Eyes, Uncut, Norma Jean, Reel Big Fish, The Vans Warped Tour, Explosions In The Sky, Buried Inside, Coliseum, Hey Mercedes, Kylesa, Christiansen, Stretch Armstrong, 400 Blows, Uncut, The Thermals and The Ramones.MILTON KEYNES (Reuters) - Autonomous vehicle (AV) startups have raised tens of billions of dollars based on promises to develop truly self-driving cars, but industry executives and experts say remote human supervisors may be needed permanently to help robot drivers in trouble. They have performed with: High On Fire, Dillinger Escape Plan, Zombie, Cutthroats 9, The Suicide Machines, Cky, The Kinison, Darkest Hour, Hopesfall, Planes Mistaken For Stars, From Autumn To Ashes, The Break, Bear Vs. A feat for any band, let alone one with a shoestring indie budget, “Extrapolate” is a daunting achievement.
While their debut EP “Information as Terminal Disease,” with its twisting rhythms and snarling production, established them as a top shelf band in Detroit, it was their album “Extrapolate the Meaning” that raised the creative and conceptual bar. Joined by drummer/multi-instrumentalist Dave Graw and bassist/wise guy Derek Swanson, road-tested veterans of the 90’s hardcore circuit and two of the most proficient musicians in the scene, HWR has been a machine from the start and quickly became a Detroit staple. With the band having signed to Go Kart Records and receiving rave reviews in Alternative Press and the like, their genre on the verge of becoming one of the largest youth markets in the industry, Zlatich unceremoniously drifted from the band in order to pursue the newly developing HeadsWillRoll vision. Singer/Guitarist Jeff Zlatich spent his youth fronting Capture the Flag, one of the Detroit area’s only worthwhile punk outfits of the late 90s and one of the first to fuse metal-riffs with the classic bay area punk sound. HWR is progressive in the truest sense of the word, moving beyond the well of influence that the new-millennium psuedo-punk generation was disingenuously built on and offering us a whole new modern chaos. They have the unique ability to fuse punk, hardcore, jazz fusion, metal, cock rock, and pop into an aggressive, yet compelling package. Somewhere between the egoism of overt technical prowess and the raw and ragged catharsis of a basement punk show, there’s a seldom-achieved balance that is formed only by that elusive thing called chemistry.
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